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Lot 78
Whitefriars antique crystal goblet containing concentric
millefiori in alternating rings of blue, pink and white; flared
mouth, with clear stem and base. The central cane appears white
overall.
Height 5". $450-650 |
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Lot 79
Whitefriars antique crystal goblet containing concentric
millefiori in alternating rings of blue, pink and white; flared
mouth, with clear stem and base. The central cane appears red
overall.
Height 5 1/16". $450-650 |
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Lot 80
Bohemian antique glass doorknob with a large, sectioned,
white stardust center cane, encircled by a ring of green, pink
and white canes, and a border of red, white and blue canes, on
clear ground; metal base, mounted on a square lucite stand. Minor
scratches over surface.
Diameter 2". $600-800 |
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Lot 81
Bohemian antique glass doorknob with a central pink
and white complex cane, encircled by a ring of green, pink and
white canes, and a border of red, white and blue canes, on clear
ground; metal base, mounted on a square lucite stand. Minor scratches
over surface.
Diameter 2". $600-800 |
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Lot 82
Baccarat antique sulphide of Napoleon III in profile paperweight,
on a translucent cobalt blue ground. "In 1819, Apsley
Pellatt, published Memoir on the Origin, Progress, and Improvement
of Glass Manufactures,
chiefly written to publicize his
patent of that year for 'cameo-incrustation' or the insertion
of clay-silica cameos (today colloquially 'sulphides') into glass.
This technique was borrowed from the Frenchman Boudon de Saint-Amans,
who had received a similar patent for 'cristallo-ceramie' the
previous year (1818). Sulphide heads and busts of royalty, the
nobility, and allegorical subjects appeared in the first two
decades of the century in pendant medallions, plaques, and on
the sides of glass vessels. Sulphides would appear later in glass
paperweights." -Paperweights from the Henry Melville
Fuller Collection.
Diameter 2 1/8". $400-550 |
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Lot 83
Rare antique sulphide commemorative paperweight shows
the building for The Great Exhibition of Industry of All Nations
in London, 1851, with sky and lettering in blue powder. Signed
on reverse "Martoret." It is difficult now, to imagine
what the Crystal Palace was and what it meant in 1851.
It
was to be done in glass and iron, materials new to building,
and on a grid iron plan that was to become the basis of skyscraper
construction a half-century later. The Crystal Palace was completed
in 17 weeks. (The Exhibition of 1851),
was a success, forever
changing the world of glass. "The exhibition,"
wrote Queen Victoria in her diary, "goes to prove that
we are capable of doing almost anything." (See, pp 36-38,
The Encyclopedia of Glass Paperweights.)
Diameter 2 3/4". $800-1000 |

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